![]() ![]() While working towards her Masters’ degree, she produced Butcher Boys (1985–6), an iconic work from this contentious era in South African history. Though Alexander trained as a sculptor at the University of the Witwatersrand, earning a Bachelor in Fine Arts in 1982 and a Masters in 1988, she nevertheless pursued a variety of artistic disciplines, regularly employing photomontage and sometimes using video in her practice. South African sculptor and installation and multimedia artist. The biblical story of Susannah and the Elders as well as the Greek myth of Actaeon provided his most enduring subjects, both referring to the act of looking as taboo, as in. In the early 1980s he undertook a series of paintings inspired by mythological subjects, which he combined with his own history as the principal subject-matter of his work. The main points of reference for his paintings of the early 1980s were Velázquez, Manet or Matisse, whose works he quoted in a personal way. ![]() Convinced that narratives could not be renewed, he argued that a painter’s main task was to reactivate his work through contact with his pictorial heritage. ![]() Alberola conceived of his role as a storyteller, on the model of African oral cultures. His paintings relied heavily on evocative narratives, at once personal and ‘historical’. Despite a pervasive and diverse use of media, Alberola often stressed the coexistence of his different artistic practices as leading to painting alone. He trained at the Ecole des Beaux-Arts in Le Havre. Born to Spanish parents, he was much affected by North African as well as Southern European culture. ![]() Public Art, Land Art, and Environmental Artįrench painter, sculptor, photographer, film maker, writer and installation artist of Algerian birth. Installation Art, Mixed-Media, and Assemblage Collecting, Patronage, and Display of Art ![]()
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